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HANG & HANDPANS
LESSONS

In-Person & Online

During my lessons you will learn different ways to handle, hold, and play the Hang, how to create rhythms and keep the tempo in your body, how to play with no tension and build muscle memory, how to improvise and create compositions, how to understand music theory through playfulness and active listening. 

 

You will be introduced to my Structured Improvisation Technique, which will allow you to play music while practicing, to compose while improvising, to release tension while immersing your body in music, to express yourself richly as music is an expression of who you are. ​

I offer in person and online teachings for students of all levels.

 

The Hang was created by PanArt in the 2001 and I have been playing and teaching it since 2003. From the beginning, my intention has been to develop a technique appropriate and inherent to the instrument itself instead of imposing any pre-existing approach I had from my previous trainings. Over the years, this allowed me to create a unique technique for the Hang and the HandPan instruments called MetaHang.

I have also been teaching music for 30 years and I have seen how every person’s journey with an instrument is unique. I build music programs specifically for each one of you, according to your predispositions, experiences, and desires. Once that process is clear, knowledge and mastery grow quickly and exponentially. Check out the MetaHang Training program as a reference.

If you want to be introduced to my technique, you can take the pre-recorded MetaHang Introductory Seminar on teachable.

"The Hang is a music sculpture that allows you to express yourself musically while enjoying the dance of your hands."

Hosted by Laura Inserra, during this seminar we will look at the history of the Hang and its 20 years of evolution, we will explore its architecture and enchanting musicality, and we will learn the basics of the MetaHang Technique. Intuitive, ergonomic, and creative, this unique technique is the development of 18 years of Laura performing and teaching Hang and handpans internationally.

 

Designed to minimize physical effort and tension, the MetaHang Technique maximizes efficiency and flow. In this seminar you will learn how to the Hang and the handpans, build a musician mind, express yourself musically, and enjoy the rhythm in your body.

This seminar will also introduce you to the Structured Improvisation Technique - allowing you to play music while practicing, to compose while improvising, and to release tension while immersing your body in music.

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For those who pursue music with dedication I deliver MetaHang Certificates

(Multidisciplinary Education, Training & Apprenticeship

for Handpan Instruments)

for 3  different levels 

(Intermediate, Advanced, Master). ​

If you are simply curious about music and the Hang, you are welcome to take classes with me as an explorer and I will be honored to help you with your learning path.

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More about

Structured Improvisation Technique

Laura Inserra's Hang Technique Introductory Video

Laura Inserra's Hang Technique Introductory Video

Play Video
MetaHang.Teachable.com
00:58

MetaHang.Teachable.com

MetaHang Introductory Seminar An Intuitive & Ergonomic Technique for Hang & Handpans Available at metahang.teachable.com/p/introductory-seminar Hosted by Laura Inserra, during this seminar we will look at the history of the Hang and its 20 years of evolution, we will explore its architecture and enchanting musicality, and we will learn the basics of the MetaHang Technique. Intuitive, ergonomic, and creative, this unique technique is the development of 18 years of Laura performing and teaching Hang and handpans internationally. Designed to minimize physical effort and tension, MetaHang maximizes efficiency and flow. In this seminar you will learn how to play the Hang and the handpans, build a musician mind, express yourself musically, and enjoy the rhythm in your body.
 This seminar will also introduce you to the Structured Improvisation Technique - allowing you to play music while practicing, to compose while improvising, and to release tension while immersing your body in music. For the full seminar visit https://metahang.teachable.com Seminar Chapters 1. Introduction 2. History & Development of the HANG 3. The HANG ~ A Sonic Sculpture 4. The Ding Side ~ The Modal Scale in the Instrument 5. Notes & Harmonics ~ How & Where to Tap 6. The Swinging Technique ~ Index, Thumb, Ring Finger / Exercise in 4 7. The Damping Technique ~ Middle Finger 8. Ergonomic Gestures ~ Pinkie & Crossing Notes 9. Pulsation & Rhythm ~ The Dance of the Body / Exercise in 4 + Free Composition 10. Structured Improvisation Compositions ~ Pattern / Repetition / Variety ~ Free Composition in 3 & in 4 11. Ghost Notes ~ Silence in between the Notes / Exercise in 4 12. The Gu Side ~ Rudiments & Sounds / Exercise in 4 + Free Composition 13. The Upright Technique 14. Q&A ~ Time for Integration 15. Finale Q 1 ~ How do you compose with these instruments? Q 2 ~ I have a hard time following the rhythm. How do you know the rhythm of a tune? Q 3 ~ Do you recommend connecting your breathing with the rhythm you play? Q 4 ~ How strong do you tap with your hands? And how do you create those amazing sounds? Q 5 ~ Why in some instruments the notes are round and in others are oval? Q 6 ~ Do you always place the instrument with the hight notes in front of you? Q 7 ~ How do you place the instrument on my lap to keep it from slipping? Q 8 ~ How do you recommend to hit the notes closest to you? Q 9 ~ I am very short and it’s challenging to hold the instrument on my lap. Any recommendations? Q 10 ~ Where are you doing another seminar like this? And will you do more online group teachings?
Novilunio by Laura Inserra and Elizabeth Setzer

Novilunio by Laura Inserra and Elizabeth Setzer

Samavesha presents Novilunio a new musical project by Laura Inserra & Elizabeth Setzer with Evan Fraser (multi-instrumentalist), Briget Boyle, Janet Kutulas and Caitlin Tabancay Austin (from Kitka Women's Vocal Ensemble) Friday, November 11, 2011 7:30pm Italian Cultural Institute 814 Montgomery Street, San Francisco www.novilunio.org Laura Inserra is a vibrant and talented composer, multi-instrumentalist, teacher and artistic director. She is a classically trained musician with a strong improvisational background who utilizes multiple musical and performance skills. A native of Sicily, her work in Italy is well- known, including integral participation in the composition of numerous movie scores and the artistic direction of innovative live productions. In 2007, Inserra founded SAMAVESHA, an international non-profit multidisciplinary performing art organization. Audiences worldwide are mesmerized by her musical virtuosity and captivated by the passion she brings to the stage. Elizabeth Setzer is an American musician, she received the BA in music at Mills College in Oakland, CA. Elizabeth studied Bulgarian folk singing with Svetla Stanilova at the Academy of Music in Plovdiv, Bulgaria on a Fulbright grant for one year. During this time she performed with the Phillipopoly Folk Ensemble, and studied the tambura with Vladimir Vladimirov. In January 2009 she began to sing with KITKA Women's Vocal Ensemble in Oakland, California, and now she is the group's Music Director. Evan Fraser is a multi-instrumentalist, performer and recording artist currently based in the Bay Area. Evan graduated from CalArts in LA with a BFA degree in World Music. His teachers include: John Bergamo, Randy Gloss, Alfred & Kobla Ladzekpo, Sulley Imoro, Nyomen Wenton, Jim Santi Owen, Mark Growden, Hamsa Lila, Mamadou Sidibe & Yakouba Diarra. Some of the instruments Evan plays are: electric kalimba, mbira, marimbula (bass kalimba), kalimbas in different keys, jaw harp, (jew's harp, mouth harp) in all keys from many different countries, frame drums, berimbau, pandeiro, dumbek, zabumba (bass drum), calabash, caxixi, clave, guiro, bells, quarkeba (metal castentets), tamborine, bottles, overtone flute, ney, spoons, bones, & shakers (so many kinds!). Kamale Ngoni (an african harp similar to a kora) in several keys, lap steel slide guitar, electric lap steel, dan bau, cigar box slide guitar, & resophonic slide dobro, harmonica in several keys, and anything else he can get his hands on! Prior to joining Kitka in 2004, Briget Boyle attended the College of Santa Fe as a Music Performance and Composition major. Currently she performs with Kitka, the award-winning Balkan brass band Brass Menažeri, and True Life Trio. In 2006 and 2007, she was the Assistant Director of the Jewish Music Festival in Berkeley and is now working as Kitka's Ensemble Manager. Janet Kutulas had a former career as a freelance flutist in the San Francisco and Chicago areas, playing in the EARPLAY New Music Ensemble, California Symphony, Berkeley Symphony, SF Symphony's New and Unusual Music Series, Civic Orchestra of Chicago, Illinois Philharmonic, and other groups. She has been a Kitka singer since 1988, and was a music director of the group from 1997 - 2010. An alumnus of the San Francisco Girls Chorus, Caitlin Tabancay Austin graduated from UCLA with a B.A. in Music History and a minor in Linguistics. She also had the privilege of studying with Tzvetanka Varimezova, director of the University's Bulgarian choir. This is her third year singing with Kitka.
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From My Students

"Laura is a fantastic musician and a skilled teacher. She is able to meet me right where I am, and give me music to practice that is both satisfying and challenging." 

DEBBIE FIER - Musical Educator, and Piano Tuner

“I call her a ‘music-smith’, like a wordsmith or blacksmith because of the way in which she embodies music and sound. She is a truly gifted musician, composer, and teacher. She is incredibly skilled at teaching the complexities of the Hang: technique, sound, resonance, melody, incorporating the different voices and harmonies. My lessons are so inspiring and healing on multitude levels. What I am learning translates to many areas of my life and spiritual practice. 

 

Our lessons are not only about playing the Hang, but about breathing, relaxing the body, being present, and, from this place, one can open to the magic, joy, essence of the Hang. She is incredibly skilled at teaching this amazing and unique instrument. ... I have immense gratitude and respect for Laura’s instruction and wisdom, talent and experience, and most of all, for the beauty and integrity of her relationship with the Hang.”

 

DEB GRANT, Expressive Art Therapist

"Laura Inserra is a dream of a music teacher. She is both classically trained and a gifted improviser. Laura is attuned to the needs and capabilities of her students. She know how to teach to their level, inspire confidence, and encourage excellence. She knows when to support and when to push to the next level of accomplishment.

 

Laura teaches the disciplines of musicianship in an atmosphere of playful acceptance. She creates a safe place in which to learn, an inspiring place to gain competence, and grow in the language of music and expression. The lessons are fun and deep, beautiful paced, and build on one another. Laura is generous with her knowledge and her heart."

 

 AHBI VERNON, Psychologist & Mental Health Therapist

About the Hang

The Hang was released in 2001 by Felix Rohner and Sabina Schärer at PANArt in Bern, Switzerland.

The Hang is a resonating percussion instrument related to the steeldrum, gong, gamelan and ghatam. In the Bernese language ‘hang’ means ‘hand’ and as such the Hang is made, tuned and played by hand. 

The sound of the Hang evokes an exquisite and delicate landscape of spaciousness and vitality. Played softly it sounds like a flute, played louder the metal resonates as a Gamelan. At times you can hear echoes of the marimba and at other times there are hints of strings or harp playing pizzicato. The bass note punctuates the rhythm like a gong. It is like playing with an ensemble. The effect is mesmerizing, it intrigues and seduces all those who listen to it. 

Visit the official website: www.Panart.ch

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About PanArt

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Chambers of AWE ~ Acoustic Waves Emergence Using Music & Technology for Immersive & Transformative Experiences ​ Chambers of AWE (Acoustic Waves Emergence) are deep, immersive sound experiences created with ancient and modern acoustic instruments, augmented by cutting edge technology. Conceived and performed by Laura Inserra, they are a bridge between ancient technology (wisdom traditions and music) and modern technology (high tech and science). ​ Chambers of AWE combine recorded ambisonic sound architectures and live performances. Using the most advanced technology, Laura amplifies the instruments’ impact by entering the sound, augmenting it, and yet maintaining the integrity of the original source and its harmonics. ​ At the core of the project are sound sources made by rare acoustic instruments. Those sounds create immersive environments with a vast spectrum of frequencies which facilitate powerful transformational experiences. In these settings body and mind merge with the sound and shift to deeper Inner Landscapes Journeys, traveling beyond the field of cognitive perceptions. ​ It was premiered in 2018 in Prague during a large cryptocurrency conference, when Laura transformed for four days a forum hall into a decompression room, creating a sound and lighting reactive installation. Participants were entering an invisible but palpable 60 foot diameter sphere of sound created by an ambisonic system of 16 speakers and 4 subwoofers. Laura and her live set was in the center of the sphere with 8 mics, each one connected to 2 speakers, plus 2 mics connected to the whole sound system. This allowed her to map and create live sound architectures in addition to her pre-recorded tracks. The ongoing intertwined pre-recorded and live music created a striking immersive sound environment. In addition, she offered twice a day guided immersive sound experiences. ​ Visit the official website www.chambersofawe.com Staged world premiere at DevCon4 Oct. 30 - Nov. 2, 2018 ~ Prague Congress Center - Czech Republic ​ Devcon is the annual Ethereum conference for designers, developers, researchers and artists. The Ethereum Foundation hosts Devcon to educate and empower our community to build decentralized applications, and to bring Ethereum protocols, tools, and culture to the world. This is a conference for builders: designers, UX researchers, smart contract devs, blockchain researchers, client implementers, test engineers, infrastructure operators, community organizers, and even artists in the community.
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